0:00–23:31 · Tap a line to seek or save.
0:00 Every time you're in a battle, your girl
0:01 talks loud. Don't get mad at me, son.
0:03 Only way she's bad is cuz her chin looks
0:05 long like Natalie none. God [music] gave
0:07 two ears, one mouth. Stop yapping, you
0:10 >> I know. No, he's rude. He's rude. It's
0:12 >> I ain't going to swear back, though.
0:15 >> Why is Zion acting all mad? See Zion.
0:19 >> might as well sp that.
0:23 Hey, let me paint YOU A LARGE PICTURE.
0:24 THEN I THINK THAT HE LOST your last
0:25 picture. The Birmingham guys have been
0:27 holding you up. THEY BE CARRYING YOU
0:28 LIKE A bar mitzvah. He go far down.
0:42 The barbarian. [music]
0:44 The barbarian. Welcome back to 10 rap
0:47 battles. Make some noise people.
0:51 All right. We are outside Champions
0:54 League season, but this ain't that.
0:56 We're in the dungeon. Couple things got
0:58 to get settled. You know what I'm
1:00 saying? Serious stuff. Before I get
1:02 anywhere, if you want an opportunity to
1:04 be on Pengame Rap Battles, go onto our
1:06 website, pengame.co.uk,
1:08 and upload your auditions and we will
1:11 hook you up with the academy. But today,
1:14 we got some some business to handle. Get
1:17 me a little bit of bad blood in the
1:19 building. Not too bad. It's all good.
1:21 All right, everyone inside, please make
1:23 some noise for Effon and Trappy. These
1:31 have been going at it from the two on
1:33 twos, from the one ones, from the yo.
1:36 Holy boa. If you know, you know. So, I'm
1:38 expecting something crazy. Heads or
1:40 toes? Who's calling it? Tails. Trappy
1:46 >> Was that me flip? I flipped it and
1:50 Trappy one. He wants Eton to go first.
2:12 Everyone calls you Trappy, [music] but
Explanation The opening name change is a setup: the performer announces a new way of addressing his opponent so later rhymes can return to it.
2:14 today I'mma call you Trey, cuz you don't
2:16 really get Trappy. Trappy ain't got no
2:18 piece to [music] his name. And Trey
2:20 ain't the G that he claim, just another
2:21 wannabe boy in a hood. But if this was
2:24 boys in the hood, I'll be dope and
2:26 you'll be trained. If see me on go, look
2:28 that way. Cuz I'll leave man slumped in
2:30 a mad way. Cuz we ain't on the same
Explanation Team language moves the boast into a football metaphor. The contrast between fake and Real can also point toward Real Madrid; Mbappé joined that club in 2024. This is an editorial reading.
2:32 team. You're fake and I play for real
2:33 like [music] Mbappe. Hey, and today is
2:36 match day. If this guy want to act out,
Explanation Match day continues the football imagery from the previous bar, presenting this battle as the moment the performance has to be delivered.
2:38 put man in a spliff and I'm letting it
2:39 blaze. You're going to go from trade to
Explanation The ashtray ending returns to the earlier name sounds while extending the burning-image metaphor. Exact wording still needs performance review.
2:41 ashtray. Killing man has always been
2:43 plann. And you think that I [music] care
2:44 what a fan say? They hate me cuz a
Explanation The claim about a favourite MC needing a bad day is competitive exaggeration: the performer presents his own lowest level as a challenge to rivals.
2:46 favorite MC could only test me on a bad
2:48 day. Hey, a man want to call me a uncle
Explanation Uncle, belt and granddad form a family-role chain. The performer turns an age-related taunt into a comic claim of authority; it is a performance persona.
2:51 like I'm supposed to give two [music]
2:52 [ __ ] I'll take off my belt. I'll move
2:54 nuts like a granddad full of boon ducks.
2:56 Look, you used to be all in the
Explanation Background and mouth closed are contrasted with the opponent now acting aggressive. This is a rhetorical before/after claim, not verified biography.
2:58 background with your mouth closed all
2:59 inconspicuous. [music]
3:00 Now you want to move like you're mad.
3:02 You're not bad. You just need some
3:03 deliverance. Yo, I heard you don't look
3:05 after your son. That's wrong. I find
3:07 that [ __ ] so ridiculous. [music] You
3:08 ain't trying to get close to your son,
Explanation Son and sun form the likely link to Icarus, whose flight too close to the sun ended in a fall. The surrounding personal allegation is part of the performance and is not verified fact.
3:09 bro. You're not a man. You're more like
3:11 Icarus. This idiot. Say your prayers cuz
3:14 this is where things start to get
Explanation Prayers and worship establish a religious meaning for temple; the following threat can switch temple toward its anatomical meaning. The unclear words still need review.
3:15 mental. But this ain't a place of
3:17 worship, but I feel the pest guy in the
3:19 temple. You verse me, that's a mental
3:21 scene. Trust me, Fong will send you
3:23 clean. I'll slap it. I'll slap it. I'll
Explanation The repeated phrase creates emphasis and a percussive pattern. Keep interruptions and repeats in the final timing rather than silently smoothing the performance.
3:24 slap it. I'll slap. You're going to have
3:25 to slap you and send you beat. You got a
3:27 little gap in your teeth, but I can't
3:29 lie. It ain't really that bad, man. But
3:31 if I bang man right in the teeth, you'll
3:32 wake up looking like Steve the mad man.
3:34 I don't want to clap that storm and
3:36 Santan. I rather hit this guy with a
3:38 backhand. I rather do blood sport like
3:39 Vanam. Stop comparing this [ __ ] to
3:41 Dandan. This guy, he really don't like
3:43 me, but I can't lie. He be making me
3:45 switch. If he's making a stitch, I'll
Explanation The stitch/ditch/stitch sequence uses closely related ending sounds to connect a response to an exaggerated threat. The exact first use of stitch should be checked before assigning a specific platform reference.
3:47 make man in a ditch. You're going to
3:48 need more than a stitch. But this guy
3:50 really don't like me. He don't want to
3:52 see me play on a pitch. Not my fault.
3:54 When you're in my presence, it makes you
3:55 feel like a [ __ ] F.
4:01 >> One, two. One, two.
4:04 >> warming. I like that. I like that. What
4:07 you going to say about that?
4:11 >> Real titans though. We ain't going to do
4:12 that ego [ __ ] You understand? [music]
4:17 one, two. Everyone can hear, man. Good.
4:24 >> I don't know who's hyping him up. You
4:25 can lie to him, but he ain't frightening
4:27 much. [music] I find it funny that a man
4:28 in his mid-30 is insecure and still
4:29 trying to be tough. Talk talk and a mic
4:31 on your one outside your line in a mud.
4:34 You caught in a trap star. You had a
4:35 boss, now your stocks are back. [music]
4:37 Real one stand up, shady thing. Your
4:39 name was fired until you met him. You
4:40 weren't accepted. Singer ran out London
4:42 B chatting [music] from town with Vim.
4:44 Early pain, you was the king. Fast
4:45 forward, you ain't done anything. You
4:47 don't win, level up or run anything.
4:48 Name one achievement you've had since.
4:50 Every time you're in a battle, your girl
4:52 talks loud. Don't get mad at me, son.
4:54 Only [music] way she's bad is cuz her
4:55 chin looks long like Natalie none. God
4:57 gave two ears, one mouth. Stop yapping.
5:01 >> I know he's rude. He's rude. He's rude.
5:02 >> I ain't going to swear back though.
5:07 >> You'll hear it. You'll hear it again.
5:11 >> When a thing like I pray to God that
5:13 should check me for B. That's crazy.
5:16 Listen, those ever be. I love being
5:22 >> s I rate your composer though. Hyping
5:25 him up. You can lie to him, but he ain't
5:26 frightening much. I find it funny that a
5:28 man in his mid30s inseal and still
5:30 trying to be tough. Talk talk you want
5:32 outside took your line in the mud. You
5:34 caught in [music] a trap star. You had a
5:36 buzz. Now your stops are back. Real one
5:38 stand up shaded. Your name was fired
5:40 until I met him. [music] You weren't
5:41 accepted. Cigar ran out London B
5:43 chatting from town with Vim. Early pen
5:44 game, you was the king. You ain't done
5:46 anything. [music] You don't win level or
5:48 run anything. Name one achievement
5:50 you've had since. Every time you're in a
5:51 battle, your girl talks loud. Don't get
5:53 mad at me, [music] son. Only way she's
5:55 bad is her chin look like Natalie. None.
5:57 God gave two one. M stop yapping. Don't
6:00 tend to [music] listen if I make your
6:01 [ __ ] fall right off of my phone. That's
6:04 >> I gave four designer brands or less. I'm
6:06 borning now. [music] I won't start. I
6:07 just make one phone call. Two shots to
6:09 your chest now. You've got a cha. Yo, I
6:11 should have led with it. You funny but
6:13 your soul so dead with hip hop type
6:15 energy. Get with the times and get with
6:17 it. You winning this one over the real
6:19 ones know the truth [music] with D. I
6:20 caught him like cheese state from
6:21 Philly. Okay, I'm your f Milly. I used
6:23 to pray for times like this to rhyme
6:25 like this. So when I kill like that you
6:26 die like this game content then you
6:28 tried to miss. [music] Every girl burnt
6:29 you like a light a spliff. We had a
6:31 content they call adoption. You want to
6:33 know what I said? You spray the [music]
6:34 bar. Every girl turned you down. Pride
6:36 the respect was flattened. Master change
6:38 their answers around. I'm a lying
6:40 [music] make sense. These girls were
6:41 prostitutes. For them to like him, you
6:43 had to pay them. I don't want to make
6:45 friends. I'm just finding my fire
6:46 caveman. [music] At least he tried.
6:47 THAT'S WHY HE'S GRAVE STEADY. IF HE
6:49 DON'T DIE, [ __ ] all played. It's too
6:51 compressed. Can't mix it with me. We
6:52 ain't the same wavelength. Got his wages
6:54 to get D or I'mma [music] turn into a
7:03 All my mic on. My lyrical seduction was
7:06 the best, bro. Don't trash it. It was
7:08 better than yours. That's facts.
7:11 >> And why is Zion acting all
7:12 >> mad? You can see Zion here.
7:15 >> Man's all spitting grime to GALLON THAT
7:17 STOP. EVERYBODY BE HEY, everyone on the
7:21 >> Not even not even you. You see Zion
7:23 there. But he's all spitting grime to
7:25 gallon that fam. Like it's Come on.
7:31 battle and all your favorite battles.
7:33 They're available right now.
7:34 >> All right. Tune in to Man's Lyrical
7:36 Seduction out now. You get me?
7:37 >> All right. Round two. Quiet on the
7:40 stage. Let the man work. I'm teach you
7:42 how to bar. You get Yo, quiet. Quiet.
7:49 >> Yo, quiet inside. [music]
7:54 I don't care if you come from far. I
7:56 don't care [music] if you come from far.
7:58 This party is going to get fun. You
8:00 could call that a burger bar. See,
8:01 [music] I'm tired of you damn nerds when
8:02 I come around stepping on a man's turf.
8:04 You came from to pay the price cuz I'mma
8:06 show you when these hands worth. I'll m
8:08 leave my lid on a canvas. There ain't
8:10 nobody that [music] can verse cuz that
8:12 man's worse. YOU'LL STILL END UP IN A
8:13 black hurse to kill MC's. Got mad first.
8:15 You think I'm mad now, BUT I CAN ACT
8:17 WORSE. I put a mic down [music] with a
8:18 strap first. Don't back down. You men
8:20 are actors. How can this guy talk about
8:22 money? Why you're living at home with
8:24 mommy? That's why I find this guy so
8:25 funny. Somebody get this [music] baby a
8:27 dummy. I think you should stop talking
8:29 cuddy. Bro, you need to go home and
8:30 study cuz I can see you ain't got a
8:32 clue. Somebody tell him [music] that
8:37 NO, NO, NO. COME ON. Come on. It's over,
8:41 buddy. It's over, buddy.
8:47 ALL SORTS OF BARS IN IT. All sorts of
8:50 bars. It's over, buddy.
8:53 I hear that. I hear that. All sorts of
8:55 bars. Yo yo yo. All sorts of bars. Let's
9:00 >> Quiet. Let them work. up.
9:02 Yo, I don't care if you come from brum.
9:04 I don't care if you come from far.
9:06 [music] This patty's going to get bun.
9:08 You could call that a burger bar. See,
9:09 I'm tired of you damn nerds. Want to
9:11 come around stepping on a man's curve.
9:12 So [music] you came from rum [singing]
9:13 to pay the price. So I'mma show you what
9:15 these hands were. Foul mash work. Leave
9:17 man laid on a canvas. There ain't nobody
9:19 that [music] can cuz that man's worst.
9:21 You'll still end up in a black hurse to
9:22 kill MC's. I got a mad first. Think I'm
9:24 mad now but I can act worse. Put a mic
9:26 down so we can scrap first. Don't back
9:28 down. You actors. How can this guy talk
9:30 about money while you're living at home
9:32 with mommy? That's why I find this guy
9:34 so funny. Somebody get this baby a
9:35 dummy. I [music] think you should stop
9:37 talking cuddy. You need to go home and
9:39 study. You ain't got a clue. Somebody
9:41 tell him that it's over, buddy. It's my
9:43 house. It's not your resident. I'm the
9:45 leader. P game president. [music]
9:46 Battling reals with hos. Don't believe
9:48 me. I've got the photo evidence. This
9:49 guy rides about booking fees. Can
9:51 somebody get him a booking please?
9:52 [music] You're battling guys with hoy
9:54 your clothes and your trainers always
9:55 looking creep. I don't give a [ __ ] if
9:57 fans give you a reload. All that smoke
9:58 for grand but not for me [music] though.
9:59 This guy links with G. Look at the feed
10:01 though. This time it's going zero.
10:04 You can get but you make it a so much
10:06 [music] smoke. This guy is going to O.
10:07 YOU DON'T WIN A WAR. THERE'S NOTHING
10:08 THAT YOU DO. AIN'T been OT. He ain't
10:10 going to. I'm an OG and he a G about
10:13 trappy. Should have been low key. Who
10:14 the [ __ ] would give this guy kilo? I'm a
10:16 boss and you're spending like bo.
10:17 Sometimes I pick these guys up a LOOKS
10:19 LIKE YOU GOT [music] pride like a G but
10:21 just ain't trust. He's more like a
10:22 speedo. Start the game without using T
10:24 code. EVERYTHING I SAY IS B NOT FREE
10:26 throw foul. Hit this guy with a hair
10:28 penny. Keep this guy in the eagle. We're
10:29 not sleeping USING A PILLOW. COME FROM
10:32 FIGURE THAT HE'S A HERO. Where you going
10:33 to [music] lose hair? It's not chemo. F
10:34 to the D end. And they call me F.
10:40 >> [ __ ] up minor thing. When you ready is
10:58 I'm back on pen game for the impact that
11:00 I've done on my life. You're back on pen
11:02 game cuz you're struggling and trying to
11:04 survive. Many [music] ways that you
11:05 could die. Burnt, drown, shot, dropped,
11:07 slice, suicide. EUTHANIZE ONLY DOWN CRY.
11:11 You're [music] nearly 40 and when you
11:12 ain't leveled up. Damn it hurts when I
11:14 mention big man 40 talking tough stuff
11:16 trying to fight me. Go fight for your
11:17 pension. Worry about me. Get a full
11:19 service from your GP. [music] Healthcare
11:20 and attention. It ain't about age, it's
11:22 mindset. You keep acting like an
11:23 adolescent. It's cool. I teach an
11:25 adolescent. All the statements wild. Two
11:27 people I [music] get stressed from
11:28 talking. You and a mother and a child.
11:30 You must think I'm stupid. Fake
11:31 allegations. You want to run and try use
11:33 it? Big up the dusty hoes and never care
11:35 now. The [music] hate that I up in music
11:37 child arrangements getting done. I've
11:39 got a lawyer now. Are you dumb? [music]
11:40 I have bigger battles in life than you.
11:42 You're just a starter. Breakfast lunch.
11:43 You are the longlost BUDDY OF HERS BUDDY
11:46 BUILT LIKE backwards cool. I'mma smoke
11:47 you like ros [music] [ __ ] It's your
11:49 time and the [ __ ] punch out a
11:51 line. Get punched the high. GET RUN. YOU
11:52 WILL get one everyation on the sun. How
11:55 many with no [music] proof? None of them
11:56 more than you been. Half of the time
11:58 twice of the height. Half of the mind me
12:00 and truth want to leave when I thought
12:01 we couldn't. Arsenal of [ __ ] [music] the
12:04 walking. Let's get serious. Cannot like
12:11 never beg reloads. You understand? Let's
12:18 >> All right, let's go.
12:22 >> [ __ ] Arsenal. [ __ ] BIG UP ARSENAL.
12:25 >> Big up Arsenal. Is [ __ ] Arsenal. [ __ ]
12:28 Arsenal. But reload that. Reload that.
12:30 >> Come on. F man. Man ain't even hating a
12:32 thing. It's a Titan thing, man. Let's
12:33 not do that. Come on.
12:36 >> Let's not do that. Killy man.
12:47 I'm back on Pen Game for the impact that
12:49 I've done on my life. You're [music]
12:50 back on Pen Game cuz you're struggling
12:52 and trying to survive. Many ways that
12:54 you could die. Burnt, drown, shot,
12:56 dropped, [music] slice, suicide,
12:57 euthanized. Only dandel.
13:00 You're nearly 40 and you ain't leveled
13:02 up. It hurts when I mention big man 40
13:04 talking toss up trying to find me. Go
13:06 fight for your [music] pension. Worry
13:07 about me. Get a full service from your
13:08 GP. Health care and attention. This
13:10 ain't about age, it's mindset. You keep
13:12 acting like an adolescent. It's cool. I
13:14 teach an adolescent. All of the
13:15 statements wild. Two [music] people get
13:17 stressed from talking. You and a mother
13:18 of a child. You must think I'm stupid.
13:20 Fake allegations. You want to run and
13:22 try use it. Big up the dosy hoes. I
13:24 never care. Never hate that. I pick up
13:25 your music. Child arrangements getting
13:27 done. I've got a lawyer now. Are you
13:29 dumb? I have bigger battles in life than
13:31 you. You're [music] just a starter.
13:32 Breakfast lunch. You are the long lost
13:33 uncle of hunts. Tall ass body built like
13:35 backwards. [music] Cool. I'm a smoke you
13:37 like run [ __ ] It's your time with the
13:39 [ __ ] I step out get try to high
13:41 get run. We will get bond [music] every
13:43 allegation under the sun. How many
13:44 ripple proof? None. More than you. But
13:47 half of the time, twice [music] of the
13:48 height, half of the mind. Me and Juice
13:50 want to leave when I thought we
13:51 couldn't. Arsenal. [ __ ] all the talking.
13:53 Let's get serious. Girl don't like you.
13:55 You look hideous. [music] Might go
13:56 trying to look like bully. Only once
13:58 your bully civilians get rid of him.
14:00 Sick of him talking [ __ ] again. It's
14:01 time I finish him. You're listening.
14:03 Make sure your girlfriend's ready to dig
14:04 the grave that you're sitting in. You're
14:06 getting [music] baptized now. 2v2 is
14:08 your blood. Christing. Don't compare me
14:09 with socks. Different when taking
14:11 [music] a piss off him will have to
14:13 wheel after willing. Mitch chef sizzling
14:15 him. You're a boy. [music] Act like a
14:16 boy. Temple like a boy. It's right. I'm
14:25 >> All right. Listen. He don't need you
14:26 lot. He can make he can make it happen
14:31 >> Comment. I said [ __ ]
14:33 >> All right. All right. All right. He
14:35 can't say [ __ ] That's why.
14:38 Hey, hey, quiet inside. Third and final.
14:44 >> listen. Quiet inside, please. We're
14:46 >> We're going to need a break after this
14:47 one cuz this is one serious.
14:50 >> Third and final. Effon, it's on you.
15:09 >> D said you're like the perfect friend.
15:11 It ain't a situation you wouldn't back.
15:12 D said he dropped 20 pound and I took
15:14 it. Why the [ __ ] you ain't took it back?
15:16 Today I be feeling real happy cuz I get
15:18 to deal with this [ __ ] Trappy cuz if
15:19 you want to play hero I'mma put hands on
15:21 you like Shigaraki. Didn't like this guy
15:23 but I'm starting to. The music thing you
15:25 put your heart into. Last time I was
15:26 just SPARRING YOU. THIS TIME I am
15:28 disarming you. [music] This guy want to
15:30 go bar for bar but I'mma put this faster
15:31 than a barbecue. This guy couldn't even
15:33 move a barbell. Best move away because
15:35 I'm parting through. I'm bombarding.
15:36 I'mma b so many shots. You'll think that
15:38 [music] you're getting a bargain. Shots
15:40 barking can't HANDLE BARS. THIS GUY'S
15:51 Hey, the Pame Champions League kit is
15:54 available right now. pengame.co.uk.
15:57 Hey, I heard what you was doing there.
16:19 D said you're like the perfect friend.
16:21 There ain't a situation you wouldn't
16:22 back. D said he dropped [music] any
16:24 pound and I took it. Why the [ __ ] you
16:25 ain't took it back? Today I be feeling
16:27 real happy cuz I get to deal with this
16:29 [ __ ] trappy cuz if you want to play
16:30 hero I put hands on you like sugar rack.
16:33 Didn't like this guy but I'm starting to
16:34 the music thing you put your heart into.
16:36 Last time I was just sparring you. This
16:38 time I am disarming you. This guy want
16:40 to go bar for bar but I'mma put this
16:41 bastard on a barbecue. This guy couldn't
16:43 even move above. Let's move away because
16:45 I'm [music] baring through. I'm
16:46 bombarding. I'm about so many shots
16:48 you'll think that you're getting a
16:49 bargain. Shots still barking man can't
16:51 handle bes going to end up baring.
16:52 [music] Told you before I get them.
16:54 Savage Mars I got burying them cuz I
16:56 rain fire Targaryen. [music] They call
16:57 me E on the barbarian. Hey let me paint
17:00 you A LARGE PICTURE BUT I THINK THAT YOU
17:01 LOST YOUR LAST PICTURE. The Birmingham
17:03 guys have been holding YOU UP. THEY'VE
17:04 BEEN CARRYING you like a bar mitzvah.
17:06 Here you go father down.
17:34 said you like the fact you wouldn't
17:36 [music] back said he dropped 20 pound
17:38 and I took it. Why the [ __ ] you ain't
17:39 took it back today? I've been feeling
17:41 real happy cuz I get to deal with this
17:43 [ __ ] trappy. If you want to play hero
17:45 I'mma put hands on you like sugar.
17:47 Didn't like this guy but I'm starting
17:48 to. The music thing you put your heart
17:50 into. Last time I was just SPARRING YOU.
17:52 THIS TIME I AM disarming you. This guy
17:54 want to go bar [music] for bar but I'mma
17:55 put this bastard on a barbecue. This guy
17:57 couldn't even move a bar. Let's move
17:59 away because I'm [music] baring through.
18:00 I'm bombarding. I'm about so many shots
18:02 you'll think that you're getting a
18:03 bargain. Shots still barking. Man can't
18:05 handle B. This guy's going to end up
18:06 balling. Told you before I ain't hearing
18:08 them. Savage bars are buried them effed
18:13 [music] Look, let me paint you a large
18:14 picture cuz I think that you lost your
18:16 last picture. No them guys have been
18:17 holding YOU UP. THEY'VE BEEN CARRYING
18:19 YOU LIKE a bar mister. Yeah, you got
18:20 bars from my bar better [music] te gun
18:24 man like our teta LYRIC GUN THAT'S A
18:26 BARA look I'm sweating I don't care if
18:29 he's actually repping I don't care what
18:30 kind of count that he's getting once I
18:32 revert back to factory setting this beef
18:34 I'm actually prepping [music] I'm
18:35 grabbing my weapon I'll send to heaven
18:36 send this guy to the cloud big sword
18:38 like Final Fantasy 7 this battle is done
18:41 we can part ways YOU WANT WAR THAT'S you
18:46 [music] what I WANT I'M KANYE FEEL BY
18:48 this guy thinks that it's All the people
18:50 scared our drip and V that's the
18:52 advantage. [music] You want to play that
18:53 the hard way cuz I made you afraid. USED
18:55 TO FAKE MARS HE CAME TO your aid. SP is
18:57 light. I ain't taking the L. You died
18:58 going to put your name in the page.
18:59 [music] They say that you get better
19:01 with age but I think that I get better
19:02 with rage. I'll make it ring like you're
19:04 getting engaged the day you get robbed
19:05 cuz I'm taking the stage. F. [music]
19:12 All right. All right.
19:14 >> All right. Why am I micish? All right.
19:19 Trappy, it's on you. Man got a jumper
19:23 >> Man put on a jumper for the third round.
19:24 That must mean something.
19:27 >> That's got to be.
19:27 >> I ain't saying nothing beat is
19:29 >> a man put on a jumper for the third
19:32 >> that has to mean something. What's it
19:35 Let's find out what it means.
19:38 >> It's always techy playing away games.
19:40 All this Brony London's mad. I seen
19:42 everyone judge [music] me in a worse
19:43 way. Then in a tourism battles are
19:45 trash. Everyone listen and all lying.
19:47 Allow me to bring you back to the facts.
19:49 Oh, you want to show? [ __ ] it. Welcome
19:51 to my max task. How many years you've
19:53 been in this league? Calculate. It's
19:54 like 45. Big man [music] close to 45.
19:57 Still talking about bursting a 45. You
19:59 get mad like an animal from the Amazon,
20:00 but you're way past your prime. So many
20:02 artists have multiplied. You're still
20:04 divided. Subtracting your time. Plus, I
20:06 got five songs this year. How many songs
20:07 you drop? Zero. I have got 50 shows this
20:10 year. How many shows you got? Zero.
20:12 Promo zero. Radio zero. Wait, am I
20:14 getting a math right? Add a zero. cover
20:16 the zero equals. What the [ __ ] are you
20:17 doing with your life? I
20:22 >> raising my son maths. It was math.
20:24 >> Yeah, I miss our success teacher. We got
20:27 Maddie Saskia, singer, teaching
20:29 assistant Birmingham. Let's go.
20:33 >> That's Maddie Saskia.
20:36 >> Calm down. Calm down. Wait, hold up
20:39 >> Wait, wait, wait. Before we begin,
20:41 WHAT'S THE 45? QUIET.
20:42 >> What's the 45? How old are you? nearly
20:44 that age, bro. You're nearly like I
20:46 swear you're like 37, 40 is 45. Just
20:49 check the GP. You get me? So, it's all
20:52 right. We can do the math later.
20:54 >> Hey, is Drop the beat.
20:58 >> We'll do the math later.
20:59 >> Let's go. Let's go.
21:00 >> We'll do the math later. [music]
21:03 >> Hey, London a [ __ ] It's always techy
21:06 playing away games. All this Brumy
21:08 London's mad. I seen everyone dodge me
21:09 in a worse way than in the Tories. The
21:11 battles are trash. Everyone talks in a
21:13 dead or lion. Allow me to bring you back
21:14 to the facts. Oh, you want to show? [ __ ]
21:17 it. Welcome to my masc. How many years
21:19 you've been in this league? Calculate.
21:21 It's like 45. Big man [music] close to
21:23 45. Still talking about bursting a 45.
21:25 You get mad like an animal from the
21:26 Amazon, but you're way past your prime.
21:28 So many [music] artists have multiplied.
21:30 You're still divided. Subtracting your
21:31 time. Plus, I dropped five songs this
21:33 year. How many songs you dropped? Zero.
21:35 >> I have had 50 shows this year. How many
21:38 >> Radio. Promo. Wait, am I getting a mash
21:41 right? Add the zero. cover the zero
21:43 equals. What the [ __ ] are you doing with
21:44 your [music] put the zero together?
21:47 That's the infinite sign. You've choke
21:48 and choke like infinite times. Talking
21:50 smoke is infinite lies. Search of flows
21:52 intricate rhymes. Talk [ __ ] I send you
21:54 into next life. How [music] does it feel
21:55 seeing Dana leveling up? It's still
21:57 getting left to the side. How does it
21:58 feel to be told that she just want to be
22:00 friends? So [music] many times you're
22:02 becoming that cleanup crew at the end of
22:03 the night. Still waiting outside. I grab
22:05 that hammer like for guarantee sure it
22:07 is the end of your life. Do it bait
22:09 [singing] or roll low key. Either way,
22:10 it's old in time. So this war don't have
22:12 to [music] stop. I sound them horns.
22:14 It's Ragnarok. I beat you in a dome in a
22:15 rag or rock. Two posters of bag or box
22:21 you have beg for this battle since 2v2.
22:23 Leave me alone. And there is a 10ear gap
22:25 between me AND YOU. HOW AM I GROWN? AND
22:27 anyone mention my [music] name in a
22:29 blood clot battle. You are a ho.
22:33 >> Wow. Hey. Hey. One second. Stop. My mic.
22:38 My mic. My mic better be working.
22:40 >> Sorry. Sorry. Sorry. Stop. Still works.
22:42 It still works. It still works. Shaw
22:45 bait. Shaw baiters. That shows it works.
22:51 >> THAT'S A SHOCK TEST. SHOCK RESISTANT.
22:54 >> Cool. Hey, every Wait. Stop. Stop. STOP.
22:57 STOP. NO. NO. NO. QUIET. QUIET. QUIET.
22:59 QUIET. QUIET. QUIET. QUIET. Everyone
23:02 inside, please make some noise for
23:09 That was a sensational battle. Pengame
23:11 business, you know how we roll.
23:14 >> Best battle rap platform in the world.
23:16 We're going to be back with more battles
23:18 for your [music] headtop soon. Pen game.